From My Archive: The Social Network

I am working on a new blog post about a recent book I read, “Cartucho” by Nellie Campobello. It is taking some time and I need to get back to my studio work, but in the meantime I wanted to share this blog post I wrote ten years ago. It’s an unedited repost. It’s funny and strangely I feel exactly the same today.

This is part of a project of mine to revisit my own writings from various blogs and journals I’ve kept over the years in an effort to learn more about myself and hopefully find themes to push and further develop my art writing practice.

I've drunk sunshine with my hair

The Social Network

Posted in ridiculousnesswriting by Stephanie on October 6, 2010

Remember way back in the fall of 2004 (earlier, for you Ivy league folks, later for those of you over 25) when there was no Facebook. No status updates, no tags, no likes, no rsvps to things you will never attend. No friend requests from elementary school crushes.

I do. I remember joining shortly after I moved away from home to a big city with no friends or acquaintances. One of my first friends was probably another USC student with whom I had gone to an Incubus concert. I had invited him after meeting during orientation the summer before school started. I literally knew no one else (he also had a car and I did not). Quickly, I made more friends, online and off, and my social network blossomed. I could look up a class and see other friends in that class. I could find out who else liked The Mars Volta, who else loved Prince. I could put obscure movie quotes in my status update and other kids (also in that obscure film class) would think I was cool.

I could also stalk people. This was easy because I don’t remember there being much privacy in the beginning. Or, having any reason to research how to use it if it did exist. I could see who was friends with so-and-so and if someone was in a relationship, who grew up where and where someone studied abroad. These things were helpful, but I don’t know that any of this greatly affected my ability to make friends, and it certainly didn’t really enhance friendship cultivation. It was just another way to meet people and ‘stay in touch’. Another tool in a well equipped toolbox, along with cell phones, email, blogs, websites, instant messaging, etc.

I remember meeting people out of University and seeing their social network blossom online. I remember people complaining about the uselessness of Facebook because they already had a MySpace account. I remember those same people eventually ‘switching over’. I remember aspiring musicians annoyed at having to maintain both.

I remember what an uproar everyone (meaning us university students) was in when Facebook started letting people in High School join. I remember how no one really made a fuss when, slowly, Facebook was opened up to everyone on the planet.

I remember, while teaching English in a small coastal town in Spain, a 60-year-old woman asking me to explain Facebook to her. I did. She asked me if she needed it. I said, Do you have a social network? She said, Yes. I said, How do you communicate with people in that social network? She said, We talk on the phone quite often and email each other. I said, Well then, no.

Facebook is like deodorant (yes, this has been a status update of mine). It is a created solution for a made-up problem. The problems being numerous: staying in touch, being able to share photographs of that vacation you took, sharing a newborn with family members abroad, telling everyone about your latest blog post, letting people know how amazing your life is and how busy you are, etc. Let’s not forget making sure everyone is aware of what you ate for dinner last night (recent favorite ‘putting the manicotti in the fridge for Jersey Shore’).

And yes, there are infinite reasons why Facebook is amazing. It is cool to be able to share things with people that may not otherwise be able to be that involved with your life, be it lack of time or distance (or interest). It is a great way to meet someone you may not otherwise meet. I’ve definitely utilized it to make new friends, one of which I know for a fact I would have never met ‘in real life’ and really cannot imagine not having as a best friend now.

Yet, I personally would much rather sit down with my friends and watch a slideshow/movie of their vacation in New Zealand, complete with a soundtrack and commentary from my friend sitting next to me. This isn’t always possible. I know firsthand how hard it is to maintain relationships when you are really far away from everyone you know. But I also know that having hundreds of vestiges of inactive relationships really doesn’t make you feel any less lonely when you are living in a foreign country. And sometimes a long distance phone call or a handwritten letter is all you need to feel connected again.

But this is just me. Everyone is different. And there are plenty of ways to customize your Facebook experience (can you imagine reading this sentence five years ago, seriously). You can delete people from your status update home page (which, let me tell you, will change your life). You can block people, you can block only certain people from certain parts of your profile, you can keep a lot of things totally private, you can just not log on everyday (or every hour). You can not accept a friend request form that person you don’t really know (or like). Lately, I’ve noticed in myself, that all of these things are a real hassle. Weeding through my Facebook friends is like going through a wild adventure of the last few years of my life. It’s like going through those emails that are saved on you email server (who is that again?), but much, much worse.

Does Facebook maintain relationships? Does it help build communities? Does it encourage mutual understanding? Does it inform people? Does it help sell mass media products? Does it let you feel less lonely? Does it enhance your life? Does it entertain you? I hope so. Because if not, we (all 5 million+ of us) are spending a whole lot of time doing a whole lot of nothing.

This, of course, is perfectly fine. We are in need of some heavy distraction, with the world literally falling apart. But don’t worry, someone else (maybe even you!) will keep climate change at bay, create world peace, stop genocide, re-organize modern agriculture, vote, create art, perform research, fight the copy fight, brainstorm immigration reform, write long form books, contemplate the stars, find you a job, and maybe even if you are important enough to them, call you up on the telephone so you can go grab a drink. They are also probably on Facebook (or pay someone to maintain one for them) and able to utilize it much better than most of us.

5 Images, Drawing Series in Progress, Uncanny Life, and an alternate ending to A Room with a View

5 Images 

I’m currently taking an online drawing class with Sarah Grass and this past week we were asked to share five images that we like. I pulled some together, trying not to think about it too much. In the class we discussed the similarities of the photos and any common themes. I was really surprised to see how my images were related to my other artwork.

 
Photograph of wall in Guanajuato, Guanajuato

Photograph of wall in Guanajuato, Guanajuato

 

The first image is a picture of a wall in Guanajuato, Guanajuato, Mexico. I took it during a trip last year. It’s the city where some of my great grandparents were born. I like the image because it shows layers and textures — symbolic of the generations of people from and in the city and of the complexities of their histories. 

 
Photograph of windows in San Francisco

Photograph of windows in San Francisco

 

The second image is one I took while walking around my friends’ neighborhood in San Francisco, on March 2nd, 2020. I was reminiscing about my time living in the city, missing who I was and how I felt then. When I took the photo I was interested in the architecture and windows of the gorgeous homes. There’s such a diversity of style in the architecture in San Francisco and the various window styles made me happy. The day I took the photo was the first day my friends started working from home. We’ve all been working from home ever since, if we are still working. 

 
Artwork by Stephanie Echeveste: Isolated Chaos I

Artwork by Stephanie Echeveste: Isolated Chaos I

 

The third image is a watercolor I did recently. I made it through a meditative process of letting my hand move across the page without thinking too much. I like having an art practice that allows me to be free to move and mark as I feel, especially now that I’m cooped up inside.

I like to use a variety of mediums—this one has watercolor, ink, oil pastel, and posca marker. I like the posca marker because it is very matte and opaque. It gives me a good solid color. The colors I happen to have at home are desaturated pop colors, which I like, and I think they ground the whole color scheme of the piece. This piece is about the struggle of trying to stay away from others while walking outside. I have been having a hard time running or even walking outside because there are so many people. 

 
Artwork by Whitney Oldenburg
 

This fourth image is a photograph of an artwork by Whitney Oldenburg, a New York based artist. She was showing work at the Spring/Break art show this year. I love her use of texture and line in this piece. It is very simple while still being very complex. I also like how the line is very casual — to me it depicts a knot but it doesn’t look very planned out. I want my work to look similarly effortless yet specific. I love how the foundation of the work is so messy and tactile and yet an unblemished white.

“I see glimpses into overlooked and unheroic objects, the “mess-ups,” as potential proper nouns, as sites or heterogeneous co-presences, and as possible exchanges of control, imbalance, repression, and hopelessness.” — Whitney Oldenburg, in New American Paintings

 
Will by Manuel Mathieu
 

This fifth image is a photograph of ‘Will’ by Manuel Mathieu, a Haiti-born, Montreal-based artist who was showing at the Kavi Gupta Gallery booth at The Armory Show this year. It’s so strange to think how now the Javits Center, the location of The Armory Show, is now a hospital. 

I love the streaky smeared paint and the colors in this piece. It shows an obstructed figure that reminds me has a Jesus on the cross. 

In the class we discussed what our image selections had in common. I was really happy to hear the similarities my classmates found in my images and pretty amazed that they are also what it seems people see in my textile work. 
Space and line

Motion

Contrast

Color blocks

Showing the labor

Paying attention to texture

Free and casual

Wabi-sabi

Unfussy

Layers

Controlled chaos

Texture


Per recommendations of my teacher, I looked into the work of Kaveri Raina and Christina Graham. I found some images of theirs that I also like that are inspiring me for the drawing series that I am working on. 

Seeing Doing by Kaveri Raina

Seeing Doing by Kaveri Raina

Artwork by Christina Graham

Artwork by Christina Graham


Drawing Series in Progress

Drawing series in progress by Stephanie Echeveste

Drawing series in progress by Stephanie Echeveste

I’ve been at home now for four weeks. The first drawing I did about two or three weeks into working from home and the second drawing I did this past week when I started feeling sick of being stuck inside.

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Maybe because I have been feeling cooped up, I started listening to Ear Hustle, a podcast about life in prison and recorded in San Quentin prison. (Want to sign a petition for a more humane treatment of incarcerated people? Check out Color of Change’s campaign).  

I was interested in televisions in prison and then found that translucent televisions are sometimes used inside prisons so prisoners cannot hide things in the televisions. I also found out that an early electronic television receiver, the RCA TRK-12 Television Console, displayed at the 1939 NY World's Fair was made of lucite and translucent to show what was inside the TV.

I also watched A Room with a View, the 1985 film directed by James Ivory based on the novel by E.M. Forster and set in the Edwardian Era in England. I loved seeing a young Helena Bonham Carter, but the final twists of the movie made me cringe. I don’t want to give it away, but let’s just say I’m glad that women have fewer constraints now, and that we aren’t forced to accept advances just because they are the only passionate experiences were are allowed to have. The film is worth a watch for the acting, bizarreness, and historical cultural experience. 

Uncanny Life

This week I tried taking a hip hop class online, from my favorite teacher at my favorite studio. I was one of two students and the administrator person made me feel guilty for not having my video on — not the zoom etiquette I am used too — and so there I was trying to let go while being surveilled. I hated it. On top of that, the connection was spotty and the instructor kept freezing on me. 

I realized how abnormal this all is. We are trying to live through screens and translate in person experiences with inconsistent digital experiences. It is completely inequitable since many people don’t have internet or a good internet connection or even the most up-to-date devices to be able to use up-to-date technology. I can’t even use the Zoom background image replacement feature because I don’t have a more up-to-date laptop, which is crazy because I’m using Jeremy’s relatively new laptop. I come out as a ghost on a screen when my fellow zoom participants are crystal clear against their desired background image. 

Artwork by Liana Finch

Artwork by Liana Finch

We are also having to expose our private spaces — bedrooms, kitchens, attics — to strangers. My sister put a sheet up over a closet so she has a cleaner background for her college classes, which are all online and all with tons of actual strangers. I am fine with my fellow crit club members and art class students seeing my bare bedroom walls, but it’s still awkward. Since I am home during these calls now, I also want to eat a snack or have a cocktail (most of my classes are during dinner time), but I don’t want to be eating or drinking on screen and I feel weird turning my screen off. 

Then there’s the texts were getting from the NYC COVID-19 alert line. It’s just dystopian — stay inside and look at our parks online?


And Michaels is boarded up.

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I saw this post on Next-door. Some one thought this guerrilla art work was dystopian while others found it thought provoking.


I have found some solace in the following:

  • Octavia Butler’s Blood Child: And Other Stories. This edition includes short stories and essays by Butler, each with her notes about the piece afterward which are both delightful and inspiring. I will be rereading many of these often. 

  • Drawing and painting and weaving. Which I feel very lucky to be able to continue doing right now.

  • This essay about how we use our bodies in a pandemic by Gia Kourlas

    • “The pandemic has created something fascinating: a new way of moving, a new way of dancing in the streets. It can feel like a game of chicken. Who will be the first to make space? What is the latest swerve or hop to become a step of survival?” — Gia Kourlas in How We Use Our Bodies to Navigate a Pandemic, The New York Times

  • This essay about the body and how we talk—or shouldn’t talk— about it by Gordon Hall

    • “What’s more ubiquitously human than feeling bad in relation to our bodies? Or what bodily experience is more common than voluntary and involuntary bodily transformation, from puberty, pregnancy, aging, and illness to make-up, electrolysis, fitness routines, and the acquisition of gender-appropriate speech patterns, facial expressions, and gestures?” — Gordon Hall in Why I Don’t Talk About ‘The Body’: A Polemic, volume 4, Monday Journal

    • “Our institutions still have an incredibly long way to go to meaningfully change which artists they collect, invest in, and offer career support to over the long term, and these types of spectacles-of-difference arguably have very little to do with these fundamental changes.“ — Gordon Hall

    • “This is very serious, because it means that artists still don’t feel welcome to make whatever work is in them to make, no matter how inscrutable their own body might be, for fear of risking being passed over by a museum looking to visibly diversify their program.” — Gordon Hall

    • “This is not a way of being valued that we should accept for ourselves or promote for the benefit of institutions and their publics. Our job is to make specific artworks with our many different bodies, whether we ask to be read or refuse to be visible at all.”— Gordon Hall

I had a dream that the final scene of A Room with a View was Lucy Honeychurch jumping out of a plane, sky diving. I think that is more what love feels like. 

Take care, 

Stephanie

Home Art Studio During COVID-19

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I’m stuck at home in my Brooklyn apartment during COVID-19. Day 4 of social distancing. I’ve been working from home for the past week and now have few clients to even work for, but it is giving me time to work on my business Distill Creative. I also put together a list of all my craft tutorials and online craft courses if you need some craft inspiration.

I finally found a resource to making a heddle for my large tapestry loom, but I won’t be going into the studio anytime soon, so in the meantime I’m pulling out every art material I have at home and trying to create even though I’m stressed, sad, and confused.

Oh! And I got into the BWAC national juried art show! Not sure if they are actually still having it, but I’m really happy I got in!

I also shared a squiggle birds collaborative project — check it out and participate!

Ok, gotta get to my home studio and try to do something.

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Recent art shows I've seen and what I'm working on

I’m back in NYC and happy to be in my studio again. I am working on some new pieces, mostly mixed media and some painting. I’m also working on my business, Distill Creative, mainly focusing on connecting real estate developers and artists.

I’ve gone to some interesting shows that I wanted to share.

Charlie Scheips: Inventions Fugues Flowers at Richard Taittinger Gallery

JANUARY 9 - 31, 2020

This show was actually not interesting and rather underwhelming. I didn’t think the work was particularly strong and I was just really confused. They did have drinks and jazz at the opening, so I appreciated that. One highlight is that they had some work by other artists in the basement and I got to see this piece by Pascale Marthine Tayou, who also did the giant plastic bag tree and other large-scale plastic bag work.

Sammy Bennett at Deer Studios NYC

JANUARY 10, 2020

This was such a random treat! My friend and I went to see Slave Play by Jeremy O. Harris and she said her friend was having a show that night so we went and made it before the end.

The work was both kinetic and fantastical. I loved the colors and surprise of what you would see when you twisted the blinds. I also really liked the use of a very lame and recognizable material — those cheap vertical blinds that you see in like a motel or crappy apartment. This work helped me visualize how to move one of my works by just literally laying them out next to each other to paint across. It’s a stupid easy thing, but his work helped.

Work by Sammy Bennett

Work by Sammy Bennett

An example of how I’m laying out to get parts connected the way I want. In progress artwork by Stephanie Echeveste.

An example of how I’m laying out to get parts connected the way I want. In progress artwork by Stephanie Echeveste.

Hans Haacke: All Connected at the New Museum

OCTOBER 24 - JANUARY 26, 2020

I really liked this show, well most of it. It is always nice to see the work of an artist who paved the way for much of today’s status quo. It puts you in your place. Nothing is original, everything has been done. It’s a good reminder.

The surprising part of this show was the weird science fair work on the top floor (was it the third floor?). I mean, I really felt like I accidentally took the elevator to the wrong educational institution. Maybe all the work on that floor together is what made me feel like a second grader on a field trip? I think a lot of this work is older, so perhaps this very work inspired science museum installations as we know them today?

There’s something about his work that feels very familiar. This is probably because it has influenced so many other artists whose work I now see, and also inspired the very way exhibitions are setup.

Anyway, Haacke is a pioneer and I am very thankful for his institutional critique work and also wish I got his kinetic work.

Hans Haacke: All Connected at the New Museum

Hans Haacke: All Connected at the New Museum

Below is just something I saw while out with friends in St. Pete’s.

Mural by Elle Leblanc in the bathroom of a bar in St. Petersburg (I was there for a writing retreat with some friends).

Mural by Elle Leblanc in the bathroom of a bar in St. Petersburg (I was there for a writing retreat with some friends).

Linnéa Sjöberg: Upwards Through The Ceiling at Company Gallery

DECEMBER 13 - FEBRUARY 2, 2020

I wish Company had said ‘we are on the third floor’ on their instagram, because I walked around the block trying to find it. I realize it says so on their website but still.

I loved this show! It was very inspiring for me and also made me jealous. How did Linnéa create such wonderfully intricate work?! Why haven’t I completed all the work I have in my head?!

I don’t love Linnéa’s style, but I do love her artistry and craftspersonship. Her exhibit for some reason gave me permission to just go for it — use all the things, put all the things together, make all the things, do all the themes. It was refreshing and really fun to look at and dissect.

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Another in progress work by me, Stephanie Echeveste. Inspired probably by Linnéa’s work.

Another in progress work by me, Stephanie Echeveste. Inspired probably by Linnéa’s work.

Zilia Sánchez: Soy Isla at El Museo del Barrio

NOVEMBER 20 - MARCH 22, 2020

I am so glad I got to see this exhibit! It was amazing. I only even found out about this because there was a piece in the NY Times (Zilia Sanchéz’s Island Erotic Forms by Jillian Steinhauer) and I happened to see it. I, probably like many other people, did not even know about Zilia’s work and I feel really upset that she is not as well know as her contemporaries since she’s been working for over 50 years making gorgeous abstract, sculptural work. The way she forms canvas and uses that as the structure of her work is amazing. I almost want to write her and see if I can study with her, but I’m sure I’d be like one of hundreds of people.

She’s an inspiration to me because not only has she always been a working artist — like did other jobs to be able to make art it seems via her biography (which was on the wall!), but she has collaborated with other artists, particularly latinx artists, on other projects like literary magazines and feminist zines. She was born in Cuba, lived in New York, traveled often to Europe, and now lives and works in Puerto Rico.

This exhibit inspired some new work I did, mostly drawings and paintings but I’m still thinking about the structural aspects of her work.

In progress work inspired by Zilia by me, Stephanie Echeveste

In progress work inspired by Zilia by me, Stephanie Echeveste

In progress work inspired by Zilia by me, Stephanie Echeveste and Yoshi, the office dog (of JPG Legal — I share the main office with them)

In progress work inspired by Zilia by me, Stephanie Echeveste and Yoshi, the office dog (of JPG Legal — I share the main office with them)

Some other work I made shortly after the show (the drawings and painting). I did the textile piece late last year, but I thought they all went well together. By Stephanie Echeveste.

Some other work I made shortly after the show (the drawings and painting). I did the textile piece late last year, but I thought they all went well together. By Stephanie Echeveste.

Marcia Resnick at Deborah Bell Photographs

NOVEMBER 16 - FEBRUARY 1, 2020

This was another find by my in-the-know friend who suggested we go here after El Museo del Barrio. We walked up all the stairs in this charming building in the Upper East Side and found ourselves in the most delightful gallery. Photographs were up on the wall and some art books were on a small table in the center of the room.

Marcia’s work is hilarious. It is tactile — her pencil (I think it’s pencil) handwriting on the prints is precious. I have so many questions about her Re-Visions series but mostly I wish I could be Marcia’s friend, on Twitter — oh wait, I can! Here’s her profile. This show was excellent and I am so glad we went.

Marcia Resnick from her Re-Visions (1978)

Marcia Resnick from her Re-Visions (1978)

This was inspired, I think, by Marcia’s work, though I am only now realizing it. I did it for the Fe* Mail* Art* Postcard show at A.I.R. because the theme was ‘networked communities initiated through correspondence.’ Pen and ink on paper by Stephani…

This was inspired, I think, by Marcia’s work, though I am only now realizing it. I did it for the Fe* Mail* Art* Postcard show at A.I.R. because the theme was ‘networked communities initiated through correspondence.’ Pen and ink on paper by Stephanie Echeveste.

I also started NYC Crit Club weekly a few weeks ago and it has been fascinating and intimidating and wonderful. If you are an artist in New York City, I highly recommend checking them out!

Books I’ve read this year so far:

Alright, time for real studio time.

-Stephanie

16 Recent Art Exhibitions in NYC That I Found Inspirational (by Women)

I regularly see art exhibitions in NYC and beyond and I have been trying to make sure I show up for shows featuring women artists. Because women are still extremely underrepresented in the art world, it makes me very excited and somewhat hopeful when I see work in galleries and museums by women.

I’ve been meaning to share this post as a roundup of some of my favorite recent shows for a while, but have been delayed because: I had to find all the photos in my phone and download and upload and you know, I wanted to have something intelligent to say about each piece (I mostly gave up on this, but I may add thoughts later), and I kept having more and more to add and just got overwhelmed with the post.

Tonight I decided I just need to post what i have so far because I think it is important to record my own personal inspiration and also to document who is showing women. Hopefully you can see some of this work and/or follow these artists (note: some are not alive) and maybe be inspired to see more shows wherever you are! I’m extremely spoiled because I am in a city with art up all the time. I’m sorry many of these shows are no longer up — I will try to be more prompt in the future. If you want to see what' I’m seeing in real time, follow me on instagram @stephanie.echeveste_art or @distillcreative.

Below are some shows I’ve seen recently. Check them out!

CURRENT SHOWS

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Tianyi Zhang At Elijah Wheat Showroom

On View: until December 15, 2019

Where: Elijah Wheat Showroom at 1196 Myrtle Ave, Brooklyn

It’s hard to be successful at video art, but Tianyi Zhang’s 99 Agreements is fascinating and well done. Her use of character, place, and language plus the expert installation by the Elijah Wheat Showroom team create a really moving show. Check it out before it’s over!

Instagram: https://www.instagram.com/tianyii1/

Website: http://www.zhangtianyi.org/

Haegue Yang at the MoMa

On View: until April 12, 2020

Where: MoMa at 11 West 53 Street, Manhattan

Try to go during one of the ‘daily activations’.

Instagram: https://www.instagram.com/yanghaegue/

Website: http://www.heikejung.de/

VIa instagram.com/sadgirlpop by Christine Mi

VIa instagram.com/sadgirlpop by Christine Mi

Christine Mi at Pearl River Mart 

Christine Mi runs the comic Sad Girl Pop and is part of the show Asian Babies at Pearl River Mart. 

You can follow Christine Mi on Instagram at @sadgirlpop.

On View: until January 12th, 2020

Where: Pearl River Mart at 395 Broadway, NYC

Instagram: https://www.instagram.com/sadgirlpop/

Website: https://www.patreon.com/sadgirlpop

Shantell Martin at Church on Governors Island 

On View: Permanent?

Where: Governors Island, NYC

Instagram: https://www.instagram.com/shantell_martin/

Website: https://shantellmartin.art/

(On my list to see: Jody MacDonald, ,Friday and Sunday 1-6pm until January 17, 2020 at Radiator Gallery and Zilia Sánchez at Museo del Barrio, Wednesday to Saturday 11am – 6pm, Sunday 12pm – 5pm, until March 22, 2020)

PAST SHOWS

Pia Camil at the Guggenheim

This was a one time performance, which included a children’s choir and a fabric artwork that everyone stuck there heads in, but I think the most notable thing was how many brown people we present. It made me feel like I belonged.

On View: When: Friday, November 8, 2019

Where: Guggenheim at 1071 5th Ave, NY, NY

Instagram: https://www.instagram.com/piacamil/

Website: https://www.piacamil.me/

Carmen Herrera in City Hall Park

I discovered Carmen Herrera’s first major outdoor sculpture exhibition Estructuras Monumentales while walking home from my studio one night when the F train was rerouted to the A line. It was a lucky accident to stumble upon her work, which was moving to see in the dark. I did not now of her work and now cannot wait to learn more. 

On View: July 11th - November 8th, 2019

Where: City Hall Park

Instagram: NA https://www.instagram.com/explore/tags/carmenherrera/

Website: NA https://en.wikipedia.org/wiki/Carmen_Herrera

Esperanza Cortés at Smack Mellon in Dumbo

On View: September 28 - November 3rd, 2019

Where: Smack Mellon at 92 Plymouth St., Brooklyn, NY 11201

Instagram: https://www.instagram.com/esperanzacortes11/

Website: http://www.esperanzacortes.com/

Tschabalala Self at MoMA PS1

Read this interview with Tschabalala Self in T Magazine!

On View: June 9–September 8, 2019

Where: MoMA PS1 at 11 West 53 Street, Manhattan

Instagram: https://www.instagram.com/tschabalalaself/

Website: http://tschabalalaself.com/

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Gina Beavers at MoMA PS1

On View: March 31–September 2, 2019

Where: MoMA PS1 at 11 West 53 Street, Manhattan

Instagram: https://www.instagram.com/gina_beavers/

Website: https://www.drawingroomplay.com/ginabeavers

Julie Becker at MoMA PS1

Where: MoMA PS1 at 11 West 53 Street, Manhattan

When: June 9–September 2, 2019

Instagram: NA https://www.instagram.com/explore/tags/juliebecker/

Website: NA https://en.wikipedia.org/wiki/Julie_Becker

Leslie Roberts at Minus Space in Dumbo

On View: September 7 - October 26th, 2019

Where: Minus Space at 16 Main Street, Suite A, Brooklyn, NY 11201

Instagram: https://www.instagram.com/lesliejaneroberts/

Website: https://leslierobertsart.com/home.html

Anna Valdez’s Bird Vase in Studio via Hashimoto Contemporary

Anna Valdez’s Bird Vase in Studio via Hashimoto Contemporary

Anna Valdez at Hashimoto Contemporary in LES

On View: October 5 - 26th, 2019

Where: Hashimoto Contemporary at 210 Rivington Street, New York, NY 10002

Instagram: https://www.instagram.com/missannavaldez/

Website: https://www.annavaldez.com/

Mrinalini Mukherjee at the Met Breuer

The show was particularly moving for me. Check out this review.

On View: June 4 - September 29, 2019

Where: Met Breuer at 945 Madison Avenue New York, NY 10021

Instagram: NA https://www.instagram.com/explore/tags/mrinalinimukherjee/

Website: NA https://en.wikipedia.org/wiki/Mrinalini_Mukherjee

Maria Qamar at Richard Taittinger Gallery in LES

On View: August 1 - October 6, 2019

Where: Richard Tattinger Gallery at 154 Ludlow St, New York, NY 10002

Instagram: https://www.instagram.com/hatecopy/

Website: https://hatecopy.com/

Rachel Ness at 1969 Gallery

I was here via NYC Crit Club and we actually got to talk to the artist and learn more about her process and basically I wrote down MAKE MORE STUDIES because Ness does studies so well and it shows.

On View: September 8 - October 27, 2019

Where: 1969 Gallery at 103 Allen Street, New York, NY 10002

Instagram: https://www.instagram.com/rebeccanessart/

Website: http://www.rebeccalness.com/

Shyama Golden at The Hall

On View:  September 20th, 6pm

Where: THE HALL at 9 Hall street in Brooklyn NY

Instagram: https://www.instagram.com/shyamagolden/

Website: https://shyamagolden.com/